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During an interview with Richard Skinner, Bush revealed that her bassist Del Palmer created the hissing sound, while the train’s whistle comes courtesy of her Fairlight.
![hounds of love scene hounds of love scene](https://i.ytimg.com/vi/wp43OdtAAkM/hqdefault.jpg)
Then the whole sonic journey closes with the a steam train pulling into a station, while sounding its whistle. Enter that celebratory chorus – “Yay-ee-yay-ee-yay-eeeeeee-oooooooooh!” – which opens the gate for childhood memories to skip through: “But every time it rains/ You’re here in my head…” As the arrangement swells, we note Bush’s Fairlight CMI obsession before military drumming adds urgency. “I still dream of Orgonon/ I wake up crying,” Bush sings, after a single cello note is played. Kate Bush’s masterpiece-within-a-masterpiece continues to play out over the end titles – you’d swear direction was timed to ensure the action was complemented by lyrics and crescendos in the song. This time we’re taking a squizzle at Kate Bush’s Hounds of Love (1985).Īfter a pivotal scene in Season 3, Episode 11 of The Handmaid’s Tale, Cloudbusting soundtracks the final moments, which alternate between the Marthas acting as crime-scene cleaners, and June waking up and putting on her Handmaid’s outfit. In Breakout Belter, Bryget Chrisfield explores a favourite record which spelled the lift-off to cultural stardom for an important act.